CREATIVE MOVEMENT HACKING®
CREATIVE MOVEMENT HACKING®
CMH is the acronym of Creative Movement Hacking®, is a method created by Cora Gasparotti, that combines somatic and exploratory practices with immersive new technologies to transform the way you move, perceive your body, and communicate.
CMH expands your body awareness, stimulates creativity, and helps you develop an authentic, personal movement identity — bringing into the body what already exists in the mind.
Born from years of research and experimentation, the method adapts to those who work professionally with the body — dancers, actors and performers — and to anyone who wants to explore movement as a tool for wellbeing and expression.
What if you could listen to your body as it moves?
Transform your movement into sound in real time to sharpen your body awareness.
What if you could see your movement from a perspective you’ve never explored before?
Deepen your relationship with the surrounding space and discover new movement qualities through unprecedented points of view.
What if artificial intelligence became your creative partner?
Experiment with new methods of choreographic composition supported by artificial intelligence.
CMH is not a closed method.
It evolves alongside new technologies and the discoveries that emerge from practice and research.
Dancer, choreographer, researcher and founder of the OMNIA Visual Dance Theater, her research leads her to experiment with new technologies to rethink dance in the educational, creative and performative fields.
Cora Gasparotti trained at the Accademia Nazionale di Danza in Rome in Technique, Contemporary Dance Analysis and Dance Education, and at the Polytechnic University of Marche in New Technologies for Performance. She is also part of the research and development team at the Casa Paganini InfoMus Center at the University of Genoa.
Her approach to creative technologies stems from her screendance works, which have travelled to various countries, winning and being nominated at numerous national and international festivals in the sector, including La Danza in 1 Minuto (ITA), the Nikon Short Film Award (SE), the International Meeting on Videodance and Video Performance (ESP) and the Mobile Film Dance Festival (USA), for which she will be a member of the jury in 2022. In 2020, her “Crisalide – memorie corporee” was distributed on Amazon Prime Video.
From 2022, she began to disseminate her research in dance, art and new technologies, collaborating with educational institutions such as the Liceo Einaudi in Rome, where he teaches New Creative and Social Technologies, and the Ministry of Education and Merit. She also participates in international conferences such as the UNESCO International Dance Research Congress in Athens (2022), the Convergence Seminar at the Royal Conservatory of Antwerp (2023), the Technarte international conference in Bilbao (2024), MOCO26 in Montpellier (2026) and Laban Around The World (2026) at Trinity Laban in London.
In 2023, she began to disseminate gradual experiments and workshops on her method, Creative Movement Hacking® – CMH, supported by artistic training and dissemination institutions such as Molinari Art Center, Laban Guild International, Balletto Di Roma, Rome International Dance Academy, Molière Academy of Theatre and Cinematic Arts in Naples, and tech institutions such as Binario F from Facebook by Meta.
Her experimental choreographic work has been supported by MiDi Motori Digitali (2022), Invisible Cities Festival (2022), Cinematica Festival (2023), BONSAI Festival – Ferrara OFF (2023), Festival Dominio Pubblico (2023-2024), Blooming Festival (2024), Romaeuropa Festival (2024), Ariella Vidach – AiEP (2024), Respiri Festival (2025) and by partners in the world of technology and innovation such as TEDxRoma (RM), Gruppo E (FI), Memori AI (BO) and OSC Innovation (RM).
Since 2025, she has been Artistic Director of the Digital Arts section of the Dominio Pubblico Festival.
Photo by Marco Cisamolo and Marco Beghi
Want to know more? Write to Cora to attend one of the workshops or organize the next event.
CMH® is designed for anyone who wants to improve their mobility and the mind-body connection.
Yes, CMH® is also suitable for those who want to rediscover the pleasure of moving in an expressive manner and functional in daily life.
Absolutely. CMH® is particularly suitable for the performer and professional movement, such as dancers and actors.
Yes, CMH® offers modules designed to be integrated in the courses of the curriculum of academies and schools of dance and drama, in support of the study of the technical and the creative.
Of course, CMH® is also available as an independent workshop, for groups, or specific events.
Yes, it is possible to follow a path in the format of individual coaching, completely customizable based on personal or professional.
The CMH® sessions can be individual or group, in presence. Every encounter combines somatic exercises, and exploration sessions with devices designed according to the objectives and needs of the participants.
No, CMH® is accessible to all, regardless of experience level. The exercises are flexible and customizable, allowing everyone to progress at their own pace.
No, CMH® can be adapted to any age group.
For modules in virtual reality (VR), the recommended age ranges approximately from 15 to 65 years. All other modules are fully customizable and can be calibrated also for people over 65 years old, based on the status of activities and individual needs.
Yes, the display is designed to be compatible with most prescription eyewear frames. Alternatively, you can use contact lenses.
Some people who have habitually glasses told us that they had found the experience, however, clear and comfortable even without wearing glasses or lenses, thanks to the visual features of the VR Headset itself.
You can start by contacting us via the form , or by participating in one of the workshops in the calendar.